Tuesday, 4 September 2012

Badia

I had 10 days to kill before arriving in Venice. I looked for somewhere to stop in between Nice and Venice and narrowed down to Lake Como and the Dolomites. Lake Como is expensive, probably touristy and I was not sure how to spend 10 days there. 

With the Dolomites, I checked tour operators and trekking operators and finally decided to engage local guides. I wrote to 2 guides and Alberto (
http://www.albertodegiuli.com/) replied with some ideas. I further researched on his suggestions and decided to place my faith in him. Once we have determined that I would be based in Badia, I began to plan my trip. 

It was another semi-epic journey - I first took an overnight Russian (!) train from Nice to Verona. (The train starts from Paris, goes to Berlin and ends in Moscow.) 

The seats fold into a bed:
I had Lady Luck on my side. The room that normally sleeps 3 was only occupied by me. I saved on hotel and slept not too badly.




We reached Verona at 4am. I panicked a bit because my connecting train was due to depart at 5.52am but the ticket office was not opened. (I sat with a group of random people outside the locked lobby. Eventually the lobby was opened to the public at 5am and I managed to print my tickets at the self-service ticket machines.)

From Verona, I took a train to Bolzano and then transferred to another train to Brunico. From Brunico, I took a bus to Badia. My bus is supposed to stop at the Brunico train station but my bus number was not displayed. I asked around but because nobody was sure if the bus would stop at the train station, I walked to the bus station instead. 

17 hours later, I reached Hotel Ustaria Posta in Badia, Italy.

A: Nice --> B: Verona --> C: Bolzano --> D: Brunico --> E: Badia


Badia

(Source: http://www.visitdolomites.com/en/dolomites)


I stayed in the the heart of the Dolomites, in Alta Badia, and specifically the village of Badia. Alta Badia is made up of 3 municipalities – La Val, Corvara (with the towns of Corvara and Colfosco) and Badia (with the towns of La Villa, San Cassiano and Badia). (Source: http://www.altabadia.org/en-US/alta_badia_valley.html)


Alta Badia used to belong to Tyrol, which was part of Austria from 1813. Its history since then can be summarised as follows:
1915: A secret treaty between Italy and the Allies promised Italy the southern part of Tyrol (which Alta Badia is part of) as a reward for entering the First World War on their side (Treaty of London). Italy accordingly swapped sides and declared war on Austria-Hungary and took over South Tyrol.
1922: Benito Mussolini became prime minister, the Fascists rose to power and the government began a systematic programme of Italianising South Tyrol. 
1943: Fascist regime collapsed and South Tyrol was occupied by the Germans. 
1945: Allies occupied South Tyrol in World War II. During the peace negotiations following the Second World War a request for South Tyrol to be returned to Austria was rejected.
1956 - not sure when: Civil unrests against the Italian government.
1959: The sovereign state of Austria issue was brought before the UN General Assembly. The Austrian and Italian foreign ministers tabled a resolution. 
1961: The same issue was brought before the UN General Assembly again. A commission drew up an autonomy package. The South Tyrolean Regional Government was granted jurisdiction over many spheres which would normally be regulated by the state - transport, public works, social affairs etc. 
1972: The second autonomy statute came into force, placing public health and safety, commerce, trade and road building under the control of the South Tyrolean Regional Government. 
(Source: http://www.suedtirol.info/en/)

[I became curious about Badia's history in part because Alberto explained some of it, in part because I was curious of Ladin being spoken in the region and lastly because it is linked to the history of First World War in the region.]

The locals in Alta Badia speak Ladin, which originated from Rhaeto-Romanic, a language that goes back to the Roman Empire. It is based on Latin and is thus similar to languages such as French. As a result of Alta Badia's history, half of the subjects are taught in Italian in school and the other half in German. The students also have to learn Ladin. (Source: http://www.altabadia.org/en-US) Italian, German and Ladin are official languages for the area and road signs have all 3 languages. 
Ladin, German, Italian
Except when ordering my gelato (for which I am very fluent in Italian), I mostly spoke English, while keeping the locals amused with my Ladin.


Hotel Ustaria Posta


I stayed in Hotel Ustaria Posta (
http://www.ustariaposta.it) in Badia for 1 week. Alberto had given me some suggestions and I chose Ustaria Posta after doing some researches. The hotel is run by the Tavella family and it seems to be a meeting place for everyone - the Tavella family members, locals, cyclists, mountain guides, tourists... One can find the workers standing at the bar, having their expresso and chatting to the owners early in the morning. In the afternoon and evenings, there are people playing card games in the Stüa (Ladin word for living room). 

This is not surprising, given the hospitality of the family and the long history of the hotel in the area. Ustaria Posta began as the hotel, post office and bakery of the village. Signore Eduard, the current hotel owner, is the founder of Maratona dles Dolomites (a 175km annual cycling marathon through the Dolomites). His son, Igor, rides competitively and also operates Holimites (http://www.holimites.com), a tour operator for the region. Signora Nina runs the restaurant like a tight ship and makes the best tiramisu in town. The family is too nice. I did not know how to address Igor's parents and called them 'Papa' and 'Mama' and nobody corrected me. Hahahaha!
Signora Nina, Igor, Signore Eduard




















I think a lot of effort has been spent to make everyone feel at home - from staff to decoration to food. They have so many orchids that remind me of home. Old photographs occupy the walls and there are just too many funny pictures of Igor (I think he is in love with himself  ;p). 
Poor Mama Nina had to do laundry

I had a huge debate with Igor if this was digitally edited
- he always has this cheeky huge grin
& I can never tell if he is pulling my leg
My Italian/Ladin combo did not work -
I still received a big slab of steak for dinner 
My room was big and clean and I had an awesome view of pines, dolomites and the beautiful blue sky. Dinner was always wonderful and HUGE in portion. On the first night, I was already worrying about putting on weight.

I read in another website that this person liked the hotel so much that he asked to be adopted. I asked to come back to work as a waitress. Igor said I have to pass a test on Ladin. Booooo....










View from room





Monday, 3 September 2012

Biennale Architettura 2012 : Common Ground



Biennale Architettura

The Venice Biennale made its debut in 1895, with International Art Exhibition. In the 1930s new festivals were born: Music, Cinema, and Theatre. In 1980, the first architecture exhibition took place and subsequently, the dance festival began in 1999. This year's Architecture Biennale consists of 119 participants invited by the artistic director and complemented by 55 countries. 


Artistic Director

The artistic director of Venice's 2012 Architecture Biennale is David Chipperfield. He had worked in the practices of Richard Rogers and Norman Fosters. He now has his own practice and is also a Visiting Professor of Architectural Design at Yale University. (Source: http://www.labiennale.org/en/architecture/director/) His works include BBC Scotland at Pacific Quay and Berlin's Neues Museum (for which he won European Union Prize for Contemporary Architecture – Mies van der Rohe Award in 2011).


Theme

This year's theme is 'Common Ground' and aims to "illustrate common and shared ideas that form the basis of an architectural culture". Chipperfield hopes to highlight the "concerns of continuity, context and memory, towards shared influences and expectations, and to address the apparent lack of understanding that exists between the profession and society." At the same time, Chipperfield does not want to focus only on starchitects and instead wants to show the collaboration between "the many stakeholders and participants in the process of building" and to find "shared ideas from our individual positions of difference." (Source: http://www.labiennale.org/en/architecture/exhibition/chipperfield/)

In the pavilions, there are exhibits on construction site as a common ground of diverging interests and exhibits which show the collaborations between 5 generations of architects, teachers and students, architects and professionals of other mediums.


Singapore Pavilion

It is not here! I had written to SIA earlier to volunteer for 1 month at the Singapore Pavilion. To my disappointment, SIA's executive director, Mr Ong Chin Cheow (kindly) informed me that the institute would not be taking part this year. 


My favourite exhibits

I managed to visit the pavilions in both Arsenale and Gardini, the Hong Kong and Taiwan pavilions (in the same spots as they were previously) on the first 2 days they opened to the public. The pro of attending the exhibition so early are - the exhibits still look new (and not manhandled by the public) and there were theatrical and music performances that only take place on the initial days. The cons are - it is still too hot in summer and some of the video installations are not ready. Nonetheless, it was, as usual, slightly overwhelming, sometimes incomprehensible and mostly, so much to learn.

Zaha Hadid Architects/ Patrik Schumacher
For me, they have the most fascinating exhibits. It is not because it is Hadid's works but because it shows the researches behind the designs. 

A gigantic floral metallic structure greets the visitors as they enter the hall. This installation is called Arum (a type of flower), which Chipperfield had requested Hadid to showcase. Next to Arum are shell-like roof models. Arum reminds me of Gaudi while the models of Arum reminds me of origami.

Arum


Arum paper study model
Arum is meant to be "a line of continuity with the great masters of thin shell and tensile structures like Felix Candela and Heinz Isler". If you look closely, Arum is far from being a "finalised" product. It is, however, still impressive.


Roof shell models
Studies on shells

Both Arum and the shell roofs are results from studies on shells. The studies on shells made by Hadid's students at Vienna's Institute of Architecture are proudly on display. 

Shell roof model
At the same time, there are videos on BLOCK Research Group's study on the forces on the shell roofs and how Arum was produced and installed - collaborations that made everything possible.
Seen in Il giornale dell' Architettura (they actually put these in print?! - phwahahahahaha): 

O'Donnell and Tuomey - Vessel

In creating "Vessel" for the biennale, Sheila O'Donnell and John Tuomey tries to find a common ground between poetry, art and architecture. They also want the large scale model to make reference to the brick walls of the Arsenale, the exhibition venue.




Eisenman Architects/ Dogma/ Jeffrey Kipnis/ Ohio State University Knowlton School of Architecture/ Yale University School of Architecture - The Piranesi variations
4 teams use Piranesi's Campo Marzio drawing as a basis, reinterpret and re-imagine and come up with new models. I like Ohio State University Knowlton School of Architecture for their model, which resembles a still video game.

Can you see the similarities between Ohio State U's model and Yale's model?

Gort Scott/ Robert McKillop/ Renzo Piano Building Workshop - London Streets and Skies
The common ground is the Shard. McKillop's film shows the Shard, the highest building in Europe, dominating the skyline - at times on its own and at times, with the other controversial building, the Gerkhin. Scott, on the other hand, sketches the high street at the foot of the Shard. I love the details in her perspectives.

Herzog & de Meuron - Elbphiharmonie

In 2001, the vision for a new concert hall to be built on top of an existing warehouse, Kaispeicher A, was introduced. In this exhibit, Herzog & de Meuron presents large scale models and newspaper cuttings that document the conflicts between the owner, contractor and architects since the first announcement. This topic is close to work and just too amusing to me, as an outsider, as the drama unfolds and the project is now slated to complete in 2015. (Boy, aren't they honest!)





Norman Foster/ Andreas Gursky/ Ben Johnson/ John Nye/ Marisa González/ Elena Ochoa Foster/ Antonio Sanz/ Katy Harris/ Spencer de Gray - Hongkong and Shanghai Bank HQ
The room shows early sketches of the HSBC Bank Building, a model, videos by González on the Filipono maids who share the building on weekends and paintings by Johnson. Again, this topic strikes a cord as Hong Kong is my third home and the story of the Filipinas' rest days in foreign countries are familiar.
Details Details!



Other noteworthy exhibits

Australia - Formations: New Practices in Australian Architecture



Ateliers Jean Nouvel/ Mia Hägg/ Habiter Autrement - Meeting lines 
An entry which did not win a master planning competition in Slussen. The proposal hoped to turn the bridges into public grounds. The pink bridge, for example, has 3 levels: shops, restaurants and terraces on the upper level, roads on the mid-level and pedestrian pathway and bicycle lane on the lower level. 
Argentina - Argentina: identidad en la diversidad
Illustration by Miguel Rep
Norman Foster/ Carlos Carcas/ Charles Sandison/ Fernando Pocostales/ Elena Ochoa Foster/ Antonio Sanz/ Katy Harris/ Spencer de Gray - Gateway
Il giornale dell' Architettura calls this the "most obnoxious" exhibit - you be the judge:

"Fun" exhibits

Spain - SPAINLab

Cyprus - REVISIT - customizing tourism

Haworth Tompkins - Inhabitable models
The paintings were borrowed from Young Vic Theatre, London
Others

There are simply too many exhibits to incorporate into this entry - those of Álvaro Siza (who has won the Golden Lion for Lifetime Achievement at the Biennale Architettura this year), Grafton Architects (who won the Silver Lion this year), Kazuyo Sejima (Biennale Architettura 2010's artistic director), Toyo Ito, Luigi Snoozi, Candida Höfer, Armin Linke, nameless students from the 40,000 hours project...

Whatever the case, if you so visit the exhibitions in Arsenale, do not miss out the (probably) highest insured item in the whole exhibition that has its own bodyguard:
Giacometti's Femme de Venise VIII